In the world of Dogbreath the Blues never left Mississippi for Chicago.
Instead it stumbled around halfdrunk between the Delta and the Hill Country. Sometimes it took it´s turns to Georgia to watch a cool drag queen who´s name was Richard Penniman. In the sixties it let itself become fertilized of James Brown´s hard erected groove. Then it was Come On In for real. Hard rock, punk and even pop stood in the doorway and demanded to be noticed. The Blues (carefully nursing it´s grand grand child Hip-Hop) took a glance and said: - Cool… And kept going.

When you receive a release like this you can't drool just enough; no matter how many superlatives I can muster to throw at it - you still won't understand just how fresh and joyous a listening experience this is!
Darren Howells Blues Matters

Getting to the third song in, GottaGo - driven by a monstrous Bastard Son Of Bo Diddley
Beat, shot through with caterwauling slide and industrial strength rhythm guitar –
I was idiot-dancing around the bedroom throwing shapes with imaginary axe in hand.
Joe Cushley Blues Matters

You don’t need many seconds of the opening track to stand there with your mouth open. Sure Swedes are good at playing various kinds of American grooves but it’s usually the more ”polite” sounding ones. Dogbreath from Solleftea starts instead with a maniac-syncopated ”friction-rock” that is just a hair from chaos. But grooves incredibly hard…
Nils Hansson DN (Swedens biggest paper)

A Swedish Blues Explosion, with better songs…
Lennart Persson Expressen (one of Swedens biggest paper)

Sometimes a CD just gets lying there but when you listen to it, my lord you satan what good it can be. Mats Olsson Expressen (in the sports section!?) Satan is a common swear word in Sweden.Sorry for that, just quoting…

Their funky urban blues is as sharp as barbed wire and as heavy as a steamroller and
impossible to defend oneself against
Dan Marklund Piteå Tidningen

It sparkles around Dogbreath. Electric high voltage in an eccentric form of primitive raw blues. Original delta blues in a form that sounds like ”now”.
Tommy Granlund Östran/Nyheterna

Funk, punk, garage and Mississippi Hill Country together in a higher unity.
Øyvind Pharo rootsy.nu

For those who is stuck in the 12 bar blues swamp Taste It! can sometimes cause a slight headache. For everyone else tracks like "Don’t Know", "Gotta Go", "Hold Me", is a great and delightful blessing over the boundaries of genre
Björn Bostrand Länstidningen Östersund